“Collect light” rice-pattern porcelain jug

"拾光“玲珑瓷水具

2019 FRANZ Rising Star Project

Daily Use

DESIGNER

鹏辉 徐

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Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:

日用

Concept of artwork 設計理念:

“拾光”同“时光”,旋转杯间的光影,回顾流逝的光阴。这便是“拾光系列”的初衷。或许是朦胧清晨的一杯水,或许是慵懒午后的一杯茶,或许是寂静夜里的一杯酒。一米暖光透过玲珑,映照出优美的纹样,将玲珑瓷的晶莹剔透体现的淋漓尽致。我们希望用不同的细节交织生活,感受产品的灵魂与温度。 “Collect light”pronounces same as “time”, rotate the light and shadow in cups, review the passing time. This is the original intention of “Collect Light series”. It may be a cup of water in the dim morning time, may be a cup of tea in the indolent afternoon, or a cup of wine in the quiet night. Warm light go through tinkling reflects graceful pattern, which shows the crystal vividly of tinkling china. We hope interweaving life with different details to feel the soul and temperature of products.

設計細節

作品材質,陶瓷比例佔:

100%

作品包含其他材質:

長度 (cm):

9.2

寬度(cm):

9.2

高度 (cm):

24

淨重 (g):

1200

其他說明:

玲珑瓷作为景德镇四大名瓷之一,历史悠久,但传统多作为装饰性元素与青花粉彩工艺结合出现,与当下生活方式脱节严重。拾光系列产品通过创新设计复兴这项传统工艺,将产品通体打上玲珑眼,突破玲珑制作工艺的极限,同时将颜色釉工艺融入产品,使产品更具当代性,年轻化。玲珑瓷极佳的透光性,让使用者从外部就能判断出壶内水位,将玲珑这一传统装饰性工艺功能化,带动产业转型升级。 As one of the Four Famous Porcelains of Jingdezhen, the rice-pattern porcelain has a long history. However, it is mostly used as a decorative element combining with blue and white pastel technology, which seriously disagrees with the current life mode. The “Time” series products revitalize this traditional technology by innovative design. Rice-pattern holes are drilled in the whole product to break though the limits of rice- pattern technology; and meanwhile, color glaze technology is blended into the products, which makes the products more modern and younger. Users can judge the water level of the pot externally due to the excellent light transmission of rice-pattern porcelain, which functionalize the traditional rice- pattern decoration technology to enhance industry transformation and upgrading.

传承上创新,纹理独特性、装饰效果佳

高鵬 Peng Gao

Director of Today Art Museum
今日美術館館長

Excellent use of traditional methods to create a new approach

Wilhelm Siemen

Director of Porzellanikon
Staatliches Museum für Porzellan
德國賽爾布陶瓷博物館館長 〈譯〉

Beautiful work and modern aesthetic. I appreciate the use of a tradition techniques in the creation of contemporary design tableware. The use of warm light through liquid is a lovely idea and transforms use into experience.

Rhiannon Ewing-James

Creative Producer of British Ceramics Biennial
英國陶瓷雙年展創意總監〈譯〉

A beautiful reinvention of a classic decorative motif into a functional collection.

Anthony Quinn

Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉

Design in form is important, too.

Kwanho Woo

Professor, Hongik University
韓國弘益大學陶藝研究所所長〈譯〉

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