Arched Vessel

2019 FRANZ Rising Star Project

Decoration

DESIGNER

Colby Charpentier

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Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:

擺飾

Concept of artwork 設計理念:

Arched Vessel is formed by squeezing colored and uncolored clay material through a nozzle by hand. It is a replication of 3-D printing, except it is all done by hand. This object takes around 30 hours to produce. In that time-frame, I make thousands of decisions about where the profile is heading. Each drop is a waypoint in the design of the object. There is no inside surface vs. outside surface, there is only the object and the space it contains. It’s a really beautiful process. This form is an arched tube, it is geometrically simple, but actively avoids pottery archetypes. It is intended to exist as an object caught between vessel and architecture. The red wire acts to “draw” in the rest of the implied vessel. The pursuit of porcelain is centuries old and well-storied, tracing from East Asia across to Western Europe. As an American artist and engineer, I am referencing and questioning my relationship with blue and white ware. It’s an open question. What does it mean for me specifically to appropriate blue and white ceramics? How do we determine who can claim cultural practices and ways of making? This is the subtext of Arched Vessel. It is at once referring the past and questioning contemporary making practices.

設計細節

作品材質,陶瓷比例佔:

80%

作品包含其他材質:

Steel Wire, Rubber

長度 (cm):

25

寬度(cm):

25

高度 (cm):

51

淨重 (g):

4160

其他說明:

The ceramic porcelain material is extruded out of nozzle by hand to form beads that stack up and create form. This is a process that I developed to ask questions about materiality and craft process. The steel wire is coated in rubber and is a way to draw in space, implying the rest of the vessel that is not currently present.

analogue version of 3D printing is playful and disdainfull of CAD reverence of contemporary practices. A truly challenging and provocative piece of critical design.

Anthony Quinn

Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉

作品质感丰富,具有装饰效果,纹理清晰细腻,变化自然,整体视觉效果极佳。

高鵬 Peng Gao

Director of Today Art Museum
今日美術館館長

The beautiful, vivid texture matches the simple sculpture.

Kwanho Woo

Professor, Hongik University
韓國弘益大學陶藝研究所所長〈譯〉

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