SHEN (Body) and SHEN (Stretch)


2019 FRANZ Rising Star Project



明威 吳


Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:


Concept of artwork 設計理念:

時間與空間兩者之間的創作 身名詞屬於一個空間的狀態,隨著空間變化,身體的位子也會有所轉變 伸動詞屬於一個時間的狀態,隨著時間變化,使肢體或彈性物體由彎、短的狀態變直或變長伸展出不同的動態與靜態表現,作者意念在伸展,還是賦予作品生命力隨這不同意念在伸展,動與靜之間到底是在說什麼? 隨著時間與空間的改變,作者賦予創作生命力,希望透過不同角度,與不同的面向,去觀看的同時,產生許多生命的美妙之處,呈現力與美的一總之態,在更呈現動靜之美 作者刻意使用陶瓷結合不規則造型,刻意營造出陶瓷雕朔不好掌握的造型,如同生命的成長過程當中,有許多的面相的改變,在這樣改變當中賦予多方面的可能性,讓造型更有生命力力與)再美妙的線條與生命力的呈現,讓作品更有許多角度的型態呈現,更成為動靜之美的效果 A creation between time and space; Body, the noun, belongs to a state of space. As the space changes, the body's position will also change. Stretch, the verb, belongs to a state of time. As time changes, the limbs or elastic forms are stretched, shortened, curved, straightened and lengthened, to create different dynamic and static states. Is the artist expanding the idea, or is it due to the stretching, dynamic movement and stillness of a different life in the work? What is being conveyed? With the change within time and space, the artist gives life to the work, in hopes of creating and expressing the many wonders and beauty of life through different perspectives; at the same time displaying an aspect of power and beauty, and presenting the beauty of movement The artist deliberately uses ceramics to combine irregular shapes,creating a sculptural

Artwork infomation




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form that is not easy to handle. Similar to the process of growing up and facing changes of many facets, one should make use of all possibilities in the change, transform them with a life full of force, beauty and vitality into a work that displays the beauty in movement and lines, being appreciated from all angles 作者應用材質特性,挑戰自己對於陶土的應用,製作全立體之創作,再以曲面表現不同的空間感。在創作本質上,作者希望擺脫立體雕朔作品在呈現時的固定角度與方向展示,透過立體呈現上賦予作品不同的生命力,來表述「身」字和「伸」字之應用。藉由東方文化文學之意涵,應用西方立體的表現手法呈現不同的語義,以形而上之表現較抽象概念,賦予這樣的意涵在當中,也希望藉由抽象意涵表現於形而下之表現 The artist uses characteristics of the material to challenge himself with clay as a medium, creating entirely 3-D forms that express a different sense of space with organic curvatures. In essence, the artist hopes to break away from the static angle and direction of display for sculptures, and express a different life of the work through the use of space and wordplay of the words “body” and “stretch” which have the same pronunciation “SHEN” in Chinese. With Eastern culture and literati as context, and the techniques of Western three-dimensional expression to present different semantics, the form presents an abstract concept of metaphysical expression and underlying significance within.


高鵬 Peng Gao

FDC Director, Secretary-general of the FDC Academic Committee

It is a good work rich in changes in structure and movement.

Kwanho Woo

Director of the Ceramic Research Center in Hongik University