Name & Concept of Artwork 作品名稱與設計理念
Category 作品屬性:
擺飾
Concept of artwork 設計理念:
對於社會規章與現代社會意識的關係，我透過我的上一件作品《 違章意識 》提到了違章建築在現代社會中是錯誤且不符合規定的一件事情，但換個角度想，規章的產生是由人們所定義出來，那它的對與錯有真理嗎？對我來說，各種人們所規範出來的規章，保護人們的同時卻迫害著人們，在各種規章下所形成的意識是真實的嗎？我認為需將一切重新解構，跳脫框架的思考才是自我意識形成的開始 。 作品中解構後的形體透過黑色支條重新建構起一個新的空間，看似危險且不安的空間卻靠著代表意識的黑色支條重新支撐，並產生了律動及方向性。表現著自我意識的重建後，塑造出了新的形態。 In regards to the relationship between social regulations and modern societal consciousness, my previous work “Violating Consciousness” mentioned that illegal constructions are wrong and do not conform to the regulations in modern society. But from another angle, those regulations are defined by people, is there a true right and wrong then? For me, the regulations formed by various people simultaneously protect and persecute people. I think that we need to re-deconstruct everything, think out of the framework and breakthrough boundaries. That is then the beginning of self-consciousness. The deconstructed form in the work re-constructs a new space through the black structures. The seemingly dangerous and unstable space is then supported by the black structures that represent consciousness, producing rhythm and direction. After the reconstruction of self-consciousness, a new form has been created.
設計細節
作品材質，陶瓷比例佔:
100%
作品包含其他材質:
無
長度 (cm):
120 cm
寬度(cm):
45 cm
高度 (cm):
60 cm
淨重 (g):
24000 g
其他說明:
在媒材使用上之所以會堅持全使用陶土製成，是因為陶土的媒材特性在大家的常理中是柔軟且脆弱的，在製作過程中不可能像展出時一樣站立著製作，因此我必須將作品躺著或是做一個模型去支撐，才有辦法將黑色支條一根根接上去並燒結。透過這樣吃力不討好的製作方式，讓作品用燒成後陶土堅硬的特性去站立，表現著我遵循規則的同時也在破壞這固有的規則。 The choice of using only clay as a medium for the entire work is derived from a misconception of clay being soft and fragile, where it is impossible to have made it stand like how it is exhibited during the production process. By laying the work down or using molds to support the form, I am then able to attach each black stem piece by piece and sinter together. Through such a tedious and arduous technique, the work is then able to stand on its own, showing the characteristic of hard ceramics after firing. This whole process represents the dichotomy between following and breaking the procedures of ceramics.
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高鵬 Peng Gao
Director of Today Art Museum
今日美術館館長
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A strong concept allied to an impressive level of craftsmanship results in a visually strong sculpture
Anthony Quinn
Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉
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It is a work of sensitive structure.
Kwanho Woo
Professor, Hongik University
韓國弘益大學陶藝研究所所長〈譯〉
TOP
作品质感丰富，装饰效果佳，纹理清晰细腻，变化自然。整体视觉效果极佳。