Name & Concept of Artwork 作品名稱與設計理念
Category 作品屬性:
擺飾
Concept of artwork 設計理念:
嶼 島嶼的形成是現在？還是過去？ 與 我與你之間，是現在還是過去？島嶼的形成隨著多年來的牽連，擠壓，碰撞，衝擊，彼此共生，彼此的交通，彼此響，時間的轉動就這樣開始不斷的改變！ When’s the island formed? Now or past? Between you and me is now or past? The formation of islands symbiosis each other, squeezed, collided, shocked. The rotation of time starts everlasting transformation. 嶼字 名詞藉由文字中的詞彙之應用，名詞敘述一件物體的既有形象之應用 與字 既是名詞，又是動詞也是副詞、介詞、連詞，隨著一字多義訊息萬變，嶼和與之間到底說的是什麼？ 人的思想是活的！創作物也應該是活的？到底誰是創作者，與受創者？ The character 嶼 represents “island”，consist of two characters represents soil(土) and “with”(與). The word narrated the existing image of the object, which included different meanings. What’s the relationship between these meanings? Would the creation live while the creator’s thought living? Who’s the creator, and who ‘s the created?
Artwork information
作品材質，陶瓷比例佔:
100%
作品包含其他材質:
長度 (cm):
57
寬度(cm):
41
高度 (cm):
32
淨重 (g):
15000
其他說明:
作者本身以創作為概念，應用材質特性挑戰自己，製作權立體之創作，挑戰自己對於陶土的應用，再以曲面表現不同的空間感，在創作本質上，作者希望賦予作品生命力，因為擺脫立體雕朔作品在呈現的時候是固定的角度與方向展示，希望在立體呈現上賦予不同的生命力，來表述與字和嶼字之應用，藉由東方文化文學之意涵，應用西方立體的表現手法呈現不同的語義，以形而上之表現較抽象概念，賦予這樣的意涵在當中，也希望藉由抽象意涵表現於形而下之表現，作者想表示一個意念與一件事物之間是如此的巧妙與多變，希望讓觀者在看待這樣抽象作品當中，有不同的感受，以雕朔角度來看同時希望先以造型為由先，色彩為輔，呈現出形體之美，潔白如靜，在靜態的表現上，卻是在靜態作品呈現當中，賦予動態的張力，就如同創作作者賦予生命力之意涵。 The artist challenged himself with the use of material, creates full-dimensional creations, and presents different spatial senses with curved surfaces. In the essence of creation, the artist hopes to get rid of the fixed angle and direction of the three-dimensional sculptures, and to express the different vitality of the works through the three-dimensional presentation, to express the application of the words "嶼(Yu)" and "與(Yu)". The artist applied western performance method with eastern Literary meaning The author wants to express that an idea and a thing are so subtle and changeable, and hope that the viewer will have different feelings when watching the abstract works. From the perspective of sculpture appreciating, artist hopes that the shape is the first, the color is supplemented, and the beauty of the form is presented, as white as static; but in the static presentation, it is presented in static works, while giving dynamic tension, just like the creator gives vitality to the creation.
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Kwanho Woo
Director of the Ceramic Research Center in Hongik University
韓國弘益大學陶藝研究所所長〈譯〉
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