the pretender

偽裝者

2018 FRANZ Rising Star Project

Decoration

DESIGNER

有彧 丁

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Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:

擺飾

Concept of artwork 設計理念:

在作品開始使用拉坯的技法製作出造型的基礎,再透過手捏與土板的方式達到最終的造型。在土坯時就先決定化妝土的配置,素燒後在施與釉料,釉燒後完成作品。 對於現代人飲食不再是“食”如此單純,更多是在人與人之間的交流。這樣的演變開始對於飲食的場域有了“應酬”、“飯局”等詞彙。吃飯開始會因為不同的友好程度、熟識度或是目的,而改變自己的心態與想法。此次連貫作品主要在詮釋一個吃飯的場合人與人之間的社交心理,這一套作品將人的內在狀況透過具象的手法表達出人與人之間的心理真實的狀態。思考著現代人大多因為各種欲望所產生的企圖讓單純的飲食行為變得不再單純與自然的現代化。每件作品的本身都會與酒杯這物件做搭配,我透過拿取酒杯的行為來思考作品的造型借此表達在那偽裝的外表的內心。應用釉色與化妝土的配置來表達欲望與外在的關係。在這思想下個別表達了:掌控、刺探、裝扮、保衛等四種內在形態。 掌控:為了群體與氣氛或是安危…等總是要掌控大局總是要將自己抽離氛圍中,就以瞭望塔的形式關注著每一個人。 刺探:在一個未知不熟識或是陌生的環境,卻又必須前往,總是以一個武裝的眼光不斷的刺探對放,渴望找到解放內心的時機。 裝扮:群體中初次聚會,這將是個與他(她)接近或要好的機會,既便我不愛或不會喝也要像個樣子。 保衛:前往不願前往飯局,與人和睦相處相談甚歡,只為了待會離開讓人感到逼不得已。

設計細節

作品材質,陶瓷比例佔:

100%

作品包含其他材質:

長度 (cm):

45

寬度(cm):

20

高度 (cm):

38

淨重 (g):

15

其他說明:

At the beginning of the work,I was using the throwing technique to make the base roughly,then finishing the the final shape with clay pads by hand-building.The configuration of the engobe ceramics is determined before the pottery went through the bisque-firing,next step,l glazed up the pottery and after glost-firing,the work is completed. “Eat” is not as simple as it used to be in modern days, it become more like a “communication” between people rather than just eat. The influences of “eating” created certain words that inspired me of my work, such as “social life”, “business event”, or “dinner party”, our mentality changes through being in those different occasions, the time and space, more importantly, the people who surround us, affect the most. Human desires are norally moving us forward, to a direction where we serve the purpose, to sum up I have four inner types of mental state to presented in my work, first, “dominate”,second, “pry”,third, “feign”,fourth, “defense”,all of them act in concern with an unified object which is the wine glasses, by “How you hold the glasses” I can than associated with behaviors in order to fully expressed the heart of my work- the pretender.

要整理造型和开发表面处理方法

Kwanho Woo

Professor, Hongik University
韓國弘益大學陶藝研究所所長〈譯〉

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